ARH 212 Art Exhibition

  Susanna and the Elders (c. 1610) by Artemisia Gentileschi. Oil on canvas. Schloss Weißenstein collection, Pommersfelden, Germany. Source Wikimedia Commons Here we have a famous painting done by artists Gentileschi. This is another famous artist from the Baroque Period, he is most known for his oil paintings. This piece is titled “Susanna and the Elders.” This painting is a perfect example of telling a narrative through body language and through the use of colors. In this piece you notice three characters. There are two men standing behind the woman. The man on the left is wearing dark clothing and he is whispering into the ear of the man on the right. The man on the right appears to be older than the man on the right. He is balding and has light ashy grey hair. He is wearing a bold red cape. The woman is nude, except for a small cloth draped across her bottom half. She has both her arms up, and she is waving away these men. She has a distressed and uncomfortable look on her face. Her

  Caravaggio, David with the head of Goliath, 1609, Galleria Borghese (Rome) Here we have yet another Caravaggio piece. This is an oil painting on canvas. Caravaggio was quite a famous painter in the Baroque period, and I really love his pieces. I find they match up with my thesis quite well. This piece is called “David with the head of Goliath,” and it was painted in 1609. This painting is a violent piece. As you can see right away, David is holding the head of Goliath. David, who is wearing a white drapey shirt and chartreuse pants over it, has one hand holding a sword across his shoulders and in the other hand is the head. David looks rather young; he is strong from the definition in his arms. He has a very stern look on his face, there is almost a slight sense of pride. Goliath, on the other hand, is not doing very well. He has a horrid expression displayed on his face. His mouth is open, and his eyes are bare. There is blood dripping from his neck, as his head has just been severe

  Artemisia Gentileschi,  Judith Slaying Holofernes , 1620-21, oil on canvas, 162.5 x 199 cm (Uffizi Gallery, Florence, Italy) Here we have a Gentileschi oil painting on canvas. It is 199 cm x 162.9 cm. The artists, Gentileschi, did an extraordinary job with this painting. Just by looking at it you can feel the emotion and intensity just vibrating off the canvas. The color scheme is dark and mysterious. There are various shades of ochre, yellow, and tan. Then there is a nice contrast of wine reds and shades mahogany colors. The background is very dim and dark, which makes the viewer value the foreground. Now to address the elephant in the room. This piece is very violent. Its title is literally “Judith Slaying Holofernes.” In this image there are two women and one man. The one woman on the left is wearing a wrapping around her head, and she appears to be holding down the man, which would be Holofernes. Next to this woman is another woman. She has a stern look on her face and she is sho

  Michelangelo Merisi da Caravaggio, Crucifixion of St. Peter, 1601, oil on canvas (Santa Maria del Popolo, Rome) Here we have another Caravaggio oil painting. This painting was painted in 1601 and it is 203 cm x 175 cm. This painting evokes a lot of emotions as you can see just by looking at it. This painting has a lot going on. To start let’s dive into the color scheme. This painting has a dark black background, which can lead you to believe this painting took place around nighttime. There are four figures in this image. There is a man in the bottom left corner wearing a white shirt and beige pants. He is bending down with his face hidden. Then there is the man in the middle. This man is hanging upside down and he is only wearing a white cloth. He appears to be older, having a white full beard and a lack of hair on the top of his head. Then there are two men in the back of the painting. These men seem to be tying the older man down. The man is being strung to a large wooden object. H

  Here we have a sculpture. The Baroque period was typically known for their paintings; however, they did have other forms of art such as sculptures and murals. This sculpture is called “The Ecstasy of Saint Teresa.” It is a life-sized white marble sculpture created in 1647-1652. It was sculpted by the artist, Gian Lorenzo Bernini. This piece is a depiction of a mystical experience of the great Spanish Carmelite reformer Teresa of Avila. In this sculpture, you see an angel. This angel is wearing drapey clothing, they have large, feathered wings, and they are holding a gold arrow. At the bottom, below the angel, there is Teresa. She is covered in layers of draped clothing and cloths. Her hair is covered, and she has a very emotional expression across her face. This sculpture represents a vision of this Carmelite nun, Teresa. In this vision, the angel pierced her heart with a fiery arrow of pure love. Teresa’s expression is divine passion and love, as she held so strongly to the Catholic

  Caravaggio, The Crowning with Thorns, 1602-04, oil on canvas, 165.5 x 127 cm (Kunsthistorisches Museum, Vienna) This piece is titled "The Crowning with Thorns." It was created by Caravaggio in 1602/1604. It is an Italian style Baroque piece, and it is an oil painting on canvas. This painting specifically was designed to be a supraporte, meaning it is a painting meant to be hung over a doorway. This painting as you can see has very neutral colors. It has various shades of yellows and beiges. It also has a beautiful crimson color, which is the cloth the man in the middle is wearing. Based on the lighting and shading, you can infer that this painting was created in dim light. Potentially even at a golden hour. In this painting there are four men. The man on the far left is dressed in a metal armor as well as chartreuse pants. He is wearing a hat and a plume. The man in the forefront middle appears to be nude with a crimson cloth draped around him. He has long brown hair and a